Our Team

Daisy is from a family of artists, writers and filmmakers, and grew up spending as much time as possible in cinemas, cutting rooms and dubbingtheatres. Although a maths graduate, Daisy decided not to pursue a career in numbers but to enter the film & TV industry. She finds that her grounding in mathematical thought, which combines form and pattern with logic, has enhanced her own approach to filmmaking.

After working for four years in production on a series for Channel 4, then briefly on Richard Eyre’s film 'Iris', Daisy decided to return to beinga student, this time of filmmaking. Unable to find a course that met her expectations, Daisy co-founded the LFA with Anna MacDonald. In addition to co-running the LFA, Daisy has produced and directed three short films, including 'The Summer House' (starring Robert Pattinson and Talulah Riley).

Anna co-founded the London Film Academy in 2001 and has led the LFA as joint principal for the past two decades. She is dedicated to inspiring and nurturing new generations of filmmakers through an innovative approach and learning methods.

Anna is also the mastermind behind many special educational programmes worldwide. She is passionate about gender equality, inclusivity and diversity in the industry and, together with her co-founder, launched the LFA Pioneer Award in 2017, which provides a scholarship to an up-and-coming female filmmaker each year.

In addition, Anna has produced and executively produced hundreds of motion pictures, including ‘The Summer House’ (starring Robert Pattinson and Talulah Riley, which reached no.1 on the iTunes sales charts in UK, USA and Canada) and a virtual reality film ‘The Empathy Machine’ (by an award-winning director Avril Furness). Her full list of credits is available on IMDB.

She was also named one of the 30 prominent Londoners with Polish roots featured in the ‘London Creatives: Polish Roots’ exhibition at the Museum of London (October 2009), and was a trustee of the Arts & Music Charity, Concordia Foundation.

As Vice Principal, Simon works closely with the Joint Principals, to ensure LFA operates smoothly. Simon moved into the film industry working with First Light and Screen West Midlands where he looked after a number of filmmaking initiatives and talent schemes. In his time looking after these schemes, he commissioned and produced a number of award-winning shorts and animation projects as well as nurturing a host of emerging filmmakers who have since progressed to direct and produce successful features and primetime television shows. In his previous role at Creative England, Simon project managed Film Nation Shorts - a leading filmmaking initiative of the Cultural Olympiad - which encouraged young people aged 16-25 across the UK to make short films, the best of which were screened at venues across London in 2012.

As Module Lead on the MA & Diploma Team, Annegret helps students use theoretical frameworks to enrich their filmmaking practices. Annegret studied in Düsseldorf, Berlin and London and their doctorate on monsters in experimental German cultural production draws on feminism to explore contemporary crisis moments. Annegret has worked in the creative industries since 2007, including film, radio, digital gaming and theatre. Their favourite films use horror to explore themes around gender.

Lincoln leads our Filmmaking Certificate; he has a wealth of technical and creative knowledge that he shares with his students to enhance their filmmaking journey. Lincoln joined LFA following a degree in Fine Art, a postgraduate Diploma in Cinematography and a Master’s degree in Cinematography from the National School of Film and Television. He has shot many documentaries and promotional videos and has worked on a range of award-winning shorts. As Director of Photography his first feature film 'Sugar Sugar' won the best newcomer award at Raindance Film Festival.

Sara is the first point of contact with the LFA and her extensive experience in admissions will ensure that students find a course that suits their ambitions and achieve their filmmaking dreams, supporting them throughout their journey with the LFA.

Brazilian-born female screenwriter and filmmaker with a passion for the film industry and helping students achieve their filmmaking goals. Her extensive experience in the film industry since 2005 lends itself beautifully to this role.

Tamilla is passionate about helping students throughout their application to LFA and providing them with the best student experience possible. She has previously worked as an education consultant for international students applying to British and American universities before transitioning to a career in Admissions. When she isn’t busy working, she enjoys watching films, reading, traveling, dancing, and lecturing her colleagues on the dangers of microwaving their food and consuming unhealthy drinks.

Aaron is responsible for managing the development and delivery of the LFA brand strategy, ensuring brand consistency across all marketing collateral; maintaining a unique visual presence that is a true reflection of the LFA vision, mission and values.

In his free time, Aaron works as an illustrator and graphic designer.

As Marketing Coordinator Kat is responsible for creating engaging content across LFA’s social media channels and supporting with an array of exciting events for students. Kat studied English Literature and Creative Writing at university, which has given her a love for all things literature, film and music. She often enjoys attending festivals in her spare time, watching coming of age movies and quirky rom coms.

Alastair is a former Diploma graduate from the London Film Academy. Since finishing our course Alastair has been working as a freelance filmmaker, making video commercials for various companies, along with recently writing and directing his own project “Osteopathy”. Alastair returned to LFA to offer valuable support and guidance to the newer diplomas, having experience the course first-hand.

As our HR Officer, Hanna is responsible for the implementation and management of our HR administration and the coordination of critical processes, activities and events. Hanna enjoys watching musicals, and does so quite regularly, while singing along at the top of her lungs. Her enthusiasm is contagious! She likes spending her evenings in theatres or watching stand-up comedy in one of the London’s basements.