Indie Society: A Touch of Noir by Shorts On Tap

18 February 2019, 7.30pm-10.30pm
Regent Street Cinema

Shorts On Tap's top-notch selection of Neo-noir short films at London's favourite movie house, Regent Street Cinema.

A Touch of Noir is a shadowy, dimly lit programme of dark stories, mysterious characters and dangerous situations...a tribute to Film Noir.
Also screened will be Shorts On Tap's own production, supported by their fantastic community: 'Rain Catcher'.
Screening followed by Q&A with attending filmmakers.

Regent Street Cinema was first opened in 1848. In late February in 1896, the cinema played a short movie by the Lumière Brothers. It was the first motion picture shown in the United Kingdom.

PROGRAMME:

RAIN CATCHER (16:00") UK, 2018
directed by Michele Fiascaris, written by Filippo Polesel & Michele Fiascaris, produced by Filippo Polesel

IDOL (08:33") Germany, 2018
directed by Luisa Taraz, written by Luisa Taraz & Manuel Richard Weber, produced by Manuel Richard Weber & Jurgen Nerger

ESTHER (10:30") USA, 2018
written and directed by Montana Mann, produced by Emily Vere Nicoll, Hannah James, Montana Mann & Andre James Champagne

ARE YOU WILD LIKE ME? (10:07") USA, 2017
written and directed by William Nawrocki, produced by William Nawrocki, Kaisania Calubaquib & Sheri Mathieu

THE DEATH OF DON QUIXOTE (13:00") UK, 2018
written and directed by Miguel Faus, produced by Nathalie Lamprecht & Miguel Faus

A DOLL DISTORTED (15:42") UK, 2018
written, directed and produced by Niall Shukla

FLOOR 9.5 (02:11") UK, 2017
written by Simon Allen, directed by Toby Meakins, produced by Matt Wilkinson

GET TICKETS HERE

  • Doors open at 7:30pm
  • Film screenings start at 8pm
  • Show ends approximately at 10:30pm
  • Drinks till 11pm

* * * * * * * * * * * * * * 

INDIE SOCIETY is a collaboration between London Film Academy, Shorts On Tap and UK Actors Tweetup, which offers a host of screenings, industry events and a way to truly connect with other professional filmmakers.

Shorts On Tap is London's largest short film community.

x
This website is using cookies. More info. That's Fine